Джерард Батлер

[Journalist]

Article Date: January 23, 2001 | Publication: Copley News Service | Author: Eirik Knutzen

In the winter of 1999, Glasgow-born Gerard Butler left his home in London to visit New York, spend Christmas in Nashville and celebrate New Year's Eve in Sun Valley, Idaho. His ultimate destination was Los Angeles, where a manager and an agent anxiously awaited his arrival.

The tall, sleek, dark, hairy and intense actor having burned himself up on the ski slopes finally arrived in Hollywood in early February, 2000. By March, the relative unknown (''Trainspotting'' and ''Mrs. Brown'') was cast in the title role of ''Attila,'' a two-part, four-hour miniseries about the life and times of the most famous Hun of them all. After a month of pumping iron and learning to ride a horse, he shipped off to Lithuania for a 65-day shoot.

''I was a little surprised because, on the first audition, one of the producers said, 'We've got Attila walking through the door here,''' says Butler, 31, in his native Scottish burr, thick enough to make Sean Connery sound like a Cockney. ''Not only that, I had to do the whole interview in an American accent. They were looking for a charismatic, powerful, muscular, virile, intelligent and proud man and I kept thinking, 'Oh, my God, I can't do that.'''

A huge spectacle, ''Attila'' chronicles the King of the Huns' supposed exploits from birth (circa 406) somewhere in Central Asia until his death in 453 apparently of a massive stroke on his wedding night. Orphaned as a child, Attila is adopted by his uncle, King Rua (Steven Berkoff), the leader of several Hun tribes content to rape and pillage in neighboring regions. A visionary, he eventually united the barbarian tribes and led the devastating attack on the Roman Empire from 441 to 443. For good measure, he also invaded Gaul and Italy to lay claim to a major portion of the known world.

For a fraction of what it would cost to mount the epic production in the U.S., elaborate sets representing Hun villages, Roman aqueducts, the Imperial Palace and the Appian Way were constructed in Vilnius and the surrounding countryside. Powers Boothe was flown in to portray Attila's mentor and greatest enemy Roman General Flavius Aetis; Simmone Jade McKinnon sheds several layers of clothing as the sexy slave girl N'Kara; Pauline Lynch checks in as the short soothsayer Galen and Tim Curry vamps it up as Emperor Theodosius.

Five hundred Lithuanian extras and an equal number of horses (made to look like a cast of thousands by computer graphic imagery) were rounded up to die over and over again.

''I loved working there I even considered moving to Vilnius at one point,'' says Butler. ''It's a lovely city with a relaxed lifestyle that has several beautiful hotels to match anything in the West. And the people are warm, friendly and full of life. I can't say the same about Bulgaria ...''

Although totally exhausted after two months of fighting Roman legionnaires with short swords and long spears, Butler headed straight from Eastern Europe to Toronto, Canada, in order to shoot his title role in the recently released feature film ''Dracula 2000.''

''It was a lot of fun, with a wild, crazy script and a great cast that includes Christopher Plummer,'' he says. ''Going along at quite a pace, it has a lot of sexiness and darkness as well.''

Born in Scotland along with two older siblings, Butler spent the first 2 1/2 years of his life in Montreal, Canada, where his entrepreneurial father, Edward, sought to establish several businesses. When several business ventures failed, Edward sought his fortune in Toronto while his destitute, but resourceful wife, Margaret, took the children back to Paisley, a community just outside Glasgow.

''I didn't see my father again until he visited us in Scotland 14 years later,'' says Butler, ''but after that I saw him in Toronto several times. He was nuts, very funny and a wonderful man who lost fortunes several times. I lived in his apartment when he went off to Togo in Africa to buy $50,000 worth of gold. But he bought $50,000 worth of copper by mistake, then wound up in a Togo hospital with malaria. My French-Canadian stepmother flew off to rescue him, slipped on an airport ramp, broke her ankle and wound up in the same hospital as my dad.''

A wild child with a penchant for travel himself, Butler drove his mother and ''various bankers'' crazy by taking off to visit friends and relatives in North America on several occasions. In 1987, he visited aunts in Alaska and San Diego, where he did clean-up jobs at Sea World for a summer. In 1991, he took a year off from law school to work in a traveling carnival at California county fairs making a ''small fortune'' bilking small kids out of money with the Whacky Wire concession.

But Butler had his heart set on becoming an actor at the age of 12 after taking part in a school play. Seeing the mediocre action-fantasy film ''Krull'' (1983) made up his mind. Then he entered Glasgow University's law school at the age of 17 for a five-year academic program driven by ego and a need for financial security. An excellent student, he was a rotten trainee solicitor for two years at one of Glasgow's most prestigious law firms. And then he got fired an impossible feat in the British system of training for the law. Butler had a week to go in the program when a partner in the firm observed, ''You have the makings of a wonderful lawyer, but you just don't seem to care.''

''A bit crazy, I was a party animal showing disrespect for my profession, who found the law exceedingly dull,'' he recalls. ''This was the most unhappy period in my life. Looking back, I was the luckiest man alive to have screwed up.''

Two days after his dismissal at the end of 1995, Butler started his new life as an actor in London. He found a series of ''crap'' jobs immediately, including a brief gig demonstrating toys at a trade show.

''There I was, wearing the same suit as when I was a solicitor, explaining the virtues of toy cares to a group of bored merchants. My life had suddenly changed,'' he laughs. ''I had been Head Boy of my school, the president of Glasgow University Law Society, part of a firm that was the Queen's solicitors in Scotland and the managers of the Carnegie estate.''

But a few weeks later, Steven Berkoff who plays his uncle in 'Attila' offered him a small part in the London production of ''Coriolanus'' and has made his living from acting ever since. While rehearsing the play, the London-based bachelor was offered a leading part in the stage-version of ''Trainspotting,'' and followed it up with such movies as ''Mrs. Brown,'' ''Fast Food,'' ''One More Kiss,'' ''The Cherry Orchard'' and ''Shooters.''

''All I want now,'' he laughs, ''is to fall in love and become a huge movie star.''

[Journalist]

Phantom’ star tackles romantic role in ‘Dear Frankie’

Interviews | Posted by: gbnetadmin
Article Date: April 10, 2005 | Publication: Arizona Tribune | Author: JENIFER HUNT

A disorder I like to call "Compulsive Actor Lustitis" is sweeping the country. This affliction causes otherwise normal women to spend an inordinate amount of time devising crafty excuses for breaking romantic dinner plans with the men in their lives to pine over their current obsession on the big screen.

(Men, please don’t take offense. After all, we pretend not to notice that you hesitate when asked if we are as attractive as Angelina Jolie.)

Earlier this year I witnessed CAL as groups of glassy-eyed women lined up again and again to watch Gerard Butler as the tragic Phantom in "The Phantom of the Opera."

Now — just when women thought it was safe to go to the movies without a supply of Kleenex — comes Butler’s latest romantic drama, "Dear Frankie," scheduled to open Friday in the Valley. It’s the story of a single mother (Emily Mortimer) who enlists a stranger (Butler) to impersonate the father she invented through letters for her deaf 9-year-old son, Frankie.

Gerard recently took a few minutes to talk about his own tragic love life, his suspicions that the Phantom was a virgin, and more.

Q: Acting-wise, how did you keep your character open to forming an attachment to Frankie when he had no intention of being more than a hired hand?

A: Well, that’s an interesting point because the Stranger is so not thinking about romance right now. When he is employed to take on this task (of posing as Frankie’s father), it’s a simple business arrangement and he hasn’t any intention of becoming charmed or emotionally involved. And I think that when he does become involved with Lizzie, it is a relationship born out of two wounded souls.

Q: Do you feel that you have to have a strong physical chemistry with your leading lady to have the relationship feel legitimate to the audience, or can chemistry be faked?

A: Well, I think it helps, without a doubt, to have a strong chemistry with the other actor. And whether it’s a sexual or friendly chemistry, some kind of connection to play on is important. I had always loved Emily as an actress, and the minute I heard she was in it I thought, "This is going to be a classy project." (Noise of multiple cell phones ringing wildly.) You know people have just dumped their stuff in my room, and now I have cell phones going off that don’t belong to me. It’s driving me (expletive) crazy. Uh, what was I talking about?

Q: Um, you always loved Emily Mortimer as an actress.

A: Yes, the second we met we got on so well. She is the coolest actress I ever worked with, and the most easygoing, fun and down to earth. . . . Her brilliance made it a lot easier for me to play my role, especially the scene where we kiss.

Q: I’ve never seen such a dramatic kissing scene with such little actual contact.

A: Ah, it’s captivating, isn’t it?

Q: Yes, the kissing was clearly the best part of the movie. (Embarrassed, nervous cough.) Now, in most of your recent films you play a lonely outsider. Are you drawn to those roles or is there something in you that the casting directors are drawn to?

A: It is probably a bit of both. I do love to play characters that kind of stand on the outside, whether it’s in some kind of psychologically disturbed way, wounded way or in (a) cool, sexy way.

Q: They are all romantic roles but you never actually get the girl.

A: I know — it’s like my life. I never really thought about that. I never do really get the girl in any of these movies. It was that way with ‘‘Dracula 2000,’’ and the same in ‘‘Attila.’’ I did this wonderful miniseries called ‘‘The Jury’’ in the UK, and it was kind of the same in that as well.

Q: Thanks for segueing into some sex questions. The Phantom had a kinky side and went for younger girls. How much of Gerard Butler was in that portrayal and how much was acting?

A: Let me say that I think Christine had had everyone in that opera house! (laughter) She just hid it well. She was a big floozy, and that’s why the Phantom wanted her.

Q: He seemed to be a virgin, but maybe you can tell me . . .

A: I think the Phantom was a virgin, and he certainly knew that Christine could teach him a thing or two. Were you asking how much of me was in the Phantom?

Q: Yes, yes. A: The Phantom is somebody who is so filled with passion and who has an incredible darkness in him, and he is very wounded. At the end of the day he was doomed and tragic, and without a doubt I feel a huge amount of that within myself.

Q: Do you think he regretted letting Christine go?

A: Ah, it’s heartbreaking! It’s one of the most heartbreaking moments in the history of movies or the stage. I think yes, he may have regretted his decision at times. But he had to do it. And it’s also such a beautiful, tender moment when he understands that he is doomed to be alone and never have the human love, connection or sexual relationship that he wants. But I’m sure if the Phantom had stayed with Christine the story would never been anywhere near as popular.

Q: What projects are you working on now?

A: I am taking my time with my next choice, but there is definitely a passion project that I hope to start at the end of summer about the Scottish poet Robert Burns. Julia Stiles is going to do that.

[Journalist]

Mastering the mask

Interviews | Posted by: gbnetadmin
Article Date: December 19, 2004 | Publication: The Free Press | Author: LOUIS B. HOBSON

The Phantom's trademark mask was just one more problem for Gerard Butler to overcome.

NEW YORK -- Before he could become the opera ghost in the film version of The Phantom of the Opera, Gerard Butler had to overcome two enormous obstacles. First he had to find the source of the man's pain, loneliness and dark obsessions.

Then Butler had to find just the right mask to hide it all.

The phantom's discrete white mask has become the very symbol for Andrew Lloyd Webber's musical version of Gaston Leroux's classic beauty and the beast story.

"The mask had to be beautiful, but also ominous," says Butler. The movie version of the drama opens Wednesday.

"They literally created hundreds of masks of different sizes, shapes, materials, eye shapes and expressions before we got one that was the right texture, physical expression and size."

The day before cameras rolled on his first scene, panic set in.

"I asked (director) Joel Schumacher how it was going to stay on my face," recalls Butler.

"During the fittings I just held it on with my finger."

Make-up and prosthetic experts scurried about their shops, finally settling on a two-sided tape similar to that used to secure wigs, hair pieces and costume pieces.

"It behaved wonderfully in the makeup trailer, but because the opera house sets were so dry, the tape would fuse to my skin.

"I'd bruise my skin taking it off."

The opposite happened when Butler had to perform in the sets for the phantom's underground lair.

"Because of all the water in these sets and the hot lights, the air would be so moist the mask kept slipping off."

Butler jokes the problematic mask helped immensely with portraying the phantom's inner angst.

In reality, Butler just had to look at his own youth to find some of the phantom's motivations.

"I've had a pretty intense and crazy life. I've been through a lot and a lot of it I wish I hadn't."

Butler was born in Glasgow, but moved to Montreal when he was six months old.

"My dad moved the family to Montreal and then a couple of years later left my mother," he recalls.

Butler, his mother and two older siblings moved back to Glasgow.

"I had the best mother on the planet, but you still grow up with certain issues when you grow up without a father."

The family moved in with their grandparents for six months.

"We had nothing and my mom wasn't trained for a job. When we did move out on our own, we lived in a pre-fab house on a council estate, which is not the best place to grow up.

"Fortunately, I come from a really good Catholic family who have high morals and a family that believed strongly in education."

Butler studied law, became the head of his class's law society and got to article for one of the top law firms in Glasgow.

"I hated it. I hated every minute of it. It just wasn't me. I never felt fulfilled. I partied a lot and abused the privileges of my firm."

One day the head of the firm asked Butler to give him one good reason not to fire the articling student.

"I told him there wasn't (one), thanked the firm for everything and quit."

That night Butler went to see a production of Trainspotting in a tiny theatre at the Edinburgh Festival.

"I was blown away. I wanted to be up there on that stage, so I packed my bags and headed for London."

The next year, Butler returned to the Edinburgh Festival as the lead in a new production of Trainspotting, which became the hit of the festival.

"The movie had come out. It was a hot property and suddenly I had a career."

His first film performance was a cameo in 1997's Mrs. Brown. For the next three years, he appeared in British films and TV productions.

In 2000, he nabbed two roles that gave him international exposure. He starred as the conquering Hun in the TV mini-series Attila and as a contemporary vampire in Dracula 2000.

"We really went for the sensuality with Dracula. I thought it was a lark. I never really expected anything to come of it," he admits.

Butler came to Schumacher's attention when the director was in St. Louis scouting locations for a movie that never came to fruition.

"There's not much to do at night in St. Louis," said Schumacher. "Right behind my hotel was a 16-screen multi-plex. I walked over, only to discover I'd seen every movie except Dracula 2000."

He bought his ticket and sat down, expecting to doze off -- until Butler came on screen.

"I told my producer friend who was sitting beside me that this Jerry Butler had incredible screen presence."

When he returned to Los Angeles, Schumacher got hold of Butler's agent, met with the Scotsman and promised they'd work together one day.

Two years later when he was casting for Phantom, Schumacher lamented that Butler would be high on his list if only the actor could sing. Then Schumacher remembered that Butler said he was the lead singer in a rock band while he was at college.

"When Joel contacted me I said I thought I could sing the score," says Butler.

He was filming Lara Croft Tomb Raider: Cradle of Life at the time and immediately contacted a voice coach.

"She worked with me on other songs until finally we dared work on Music of the Night. She told me I could do it, so I let Joel set up an audition for me with Andrew Lloyd Webber."

Webber said nothing to Butler when the actor arrived.

Schumacher sat behind Webber sweating.

"I wondered what I'd subjected poor Jerry to.

"Then he sang. When he finished, Andrew rose from his chair, went over to Jerry and shook his hand," recalls Schumacher.

[Journalist]

Gerard Butler Interview

Interviews | Posted by: gbnetadmin
Article Date: July 1, 2001 | Publication: Impact Magazine | Author: Unknown

Gerard Butler sits in the Dorchester Hotel after being rushed in from the set of his new film. He has something of a Wolverine look, mixed in with a little Dougray Scott( the actor originally picked for that mutant role). His shoulder length hair and lyrical Scottish voice combine to create an image of an easy-going and laconical character- far removed from the Lord of Darkness he plays in the newly released Dracula 2001. That's probably because he's filming the much anticipated REIGN OF FIRE (complete with cgi dragons) in Ireland.

Vampires and New Orleans have gone hand in hand for some time. It was only a matter of time before the city played host to a more cinematically hip strain of vampires and Wes Craven's addition to the legend of dracula taps a new and fresh vein...

This version starts in the UK but quickly transfers its action to the Big Easy as Abraham Van Helsing ( Christopher Plummer) and Simon Sheppard (Jonny Lee Miller) race against time to stop the escapee Count from claiming the life essence of Mary Heller. Heller has no idea of her destiny, but senses darkness on the way. However there's an unholy revelation that no-one could have foreseen...

"when I was filming outside the Virgin Megastore in New Orleans there was a car that went up and down and a lady baring her breasts. That pretty much sums up the place. After about an hour I gave up trying to make sense of it. That's no bad thing. There needs to be a little darkness for the film. It's a hot, sweaty, vibrant dark town and it really helped to create a feel for the character on a psychological level...you can wander the streets until six in the morning...and then I'd meet my co-star Jonny ( Lee Miller) coming the other way(laughs)."

Dracula 2001 isn't the old-fashioned horror flick (though, yes it does contain all the main ingredients of a Wes Craven production. Not surprisingly, as Mr. Craven acts as Exec. Producer this time with Patrick Lussier directing, from a Joel-Highlander:Endgame- Soisson screenplay).The film also requires some nifty stunt work, special FX and fight sequences.

" I had a lot of flying to do. I had white contact lenses that I had to wear over my eyes and a harness shoved into my groin and then hung upside down from a wire. Maybe it's me but I found that all quite unpleasant" he laughs, "on my final day, I was tied up and submerged in swamp water and there was an alligator about 20 feet away. I was tied down so I couldn't get out and there was a compression unit that made me fly up through the water. I had earplugs up my nose and everything, but it felt like 2 hot spikes going through my brain! But it was certainly a challenge."

Dracula 2001( originally called Dracula 2000 when it was released to the US to thunderous indifference last year) is no great work of art -in fact the joke about vampires/Virgin Mehastores might be funny once - but becomes irritatingly blatant product placement after the hundredth such visual reference. Most of its scary proceedings are of the now overly familiar type. However its all silly fun and is notable for taking a new and somewhat inspired angle on Dracula's origins with a very nice and unexpected twist.(In fact if this plot-point had been expanded upon and some of the more derring do played down this film would have been much better). But throw in New Orleans as a back drop,a hip soundtrack and Star Trek's Jeri Ryan (7 of 9) as a guest star and it would be hard not to produce a film ideal for beer and pizza somewhere down the line.

Though a nice stepping stone for Butler we'll be seeing more of him in the months to come, with a range of movies poised to set the screen alight, including that much anticipated post apocalyptic blockbuster.

"Yup,I'm over in Dublin at the moment. Reign Of Fire is a $95 million dollar movie with Matthew McConaughey and Christian bale. They were thinking of moving the production( because of the foot and mouth disease) but it' going to stay put now. We'll be filming into the middle of June.Then it's going to be six months of CGI work. I think about $33 million of the budget has been put aside for that. I play a character called Creedy. Christian Bale and I play best mates and we're in a castle together with a bunch of other people. We're struggling to get by because everything is burned out and gone. It's a solid action movie. I'll also be doing a six-part drama series called The Jury."

It has just been announced that Butler will be starring in the big screen adaptation of Timeline. He will play Marek, the leader of a team who travel back in time to play a misplaced archaeologist ( hopefully the film will be better than the generically plotted book). Butler's name has also been linked to the James Bond franchise. (He actually appeared as a doomed sailor in Tomorrow Never Dies). While there is little doubt he has the confidence and style for such a prominent part, it would seem to be just the idle speculation that comes around between 007 movies. Butler may well have met with EON, the company behind the Bond movies, but Brosnan is a definite for the next Bond film (due to start production next year) and has indicated to Impact that he may well stay on for at least one more after that. One doubts that Butler is worrying too much.

[Vita]

Journalist, возвращайся скорее, нам будет очень тебя не хватать!

Сразу говорю: беру на себя Mastering the mask и Phantom’ star tackles romantic role in ‘Dear Frankie’ , ок? До конца недели, как обычно, постараюсь!

[Alise]

Journalist, как вернешься, сразу к нам! :D
Всех поздравляю с ответом Тамары!
Все-таки долго ждали...

[Targhis]

Всем привет! Зашла на минутку. Здорово, что пришло письмо.

Беру на себя перевод статьи
Article Date: December 10, 2000 | Publication: Scotland on Sunday | Author: John Millar
и
Article Date: January 23, 2001 | Publication: Copley News Service | Author: Eirik Knutzen
Кажется, они еще свободны? Одна в пятницу будет точно, а может, и обе два.

[Vita]

Вот, пока готова только "коротушка"

In Style - German Edition, 26.04.2005

Его глубокий, прокуренный голос подчёркивает его сексуальную привлекательность: Джерард Батлер, видный любовник Анджелины Джоли в "Ларе Крофт-2" и страстный в "Призраке Оперы" – совершенный парень: широкие плечи, выразительные черты и вид а-ля "крошка, кто может быть лучше меня". Начиная с 21 апреля 35-летнего шотландца можно увидеть в романтической драме "Дорогой Фрэнки".

- Ты находился перед камерой с такими прекрасными женщинами вроде Джоли, теерь вот Мортимер. Твои друзья должны тебе завидовать...

- Да, я чертовски здорово притягиваю удачу! Но девушкам тоже изрядно везёт – ведь я вполне ничего из себя!

- Но всё-таки ты на данный момент одинок?

- (нерешительно) Хммм... Сказал бы, что так.

- Чем должна обладать женщина, чтобы изменить это положение?

- О, ненавижу такие вопросы!

- Но как один из самых горячих голливудских холостяков ты не можешь обойти его!

- Это потому что мне здесь в Лос-Анджелесе не нравится то, как, к несчастью, неестественно ведут себя многие женщины. Мне нравятся натуральные, милые девушки с индивидуальностью.

- Ты не имеешь ничего против послушной милой, но не очень умной женщины? (прим.перев. – очень интересное выражение, впервые вообще его встречаю: girl next door, дословный перевод - добрая и любящая, но глупенькая девушка/женщина).

- Точно нет.

- В вашем бизнесе, если сталкиваешься с женщиной, то это приводит только к трудностям?

- Именно! Это, возможно, и есть причина, почему я один.

- Как должна одеваться женщина, чтобы произвести на тебя впечатление?

- По случаю праздника нет ничего более прекрасного, чем женщина в чём-то умопомрачительном, это очень просто, удивительно женственно.

- А каков твой стиль для загородных прогулок?

- На премьеры я одеваюсь элегантно: шикарная, подходящая обувь. Но по своему собственному выбору я надеваю полинявшие джинсы и футболку: классно, удобно, несерьёзно.

- У тебя есть любимый предмет одежды?

- О, хотел бы я, чтобы он у меня ещё был! Около 29 лет назад у меня была синяя футболка, которую мне подарили. Она доходила мне до колен в то время. Лучшая подружка моей матери привезла мне её из Канады, на ней было написано "Калгари". Естественно, с годами она полиняла и выцвела, но она мне нравилась! Недавно я потерял её во время путешествия. Это разбило моё сердце.

=======

Неужели он и правда такой сентиментальный фетишист?:D Ай, всё равно люблю:D

[Нора]

Идея Бёрнса-Деппа - фу. И кому только пришло в голову. Совсем не тот типаж, не тот темперамент.
(и к тому же беднягу Барри он запорол беспощадно).

[Эйрил Фаранг]

2 Vita:

Интересно. В Sunset Boulevard тоже есть это выражение:

With one smile I'm the girl next door
Or the love that you are hungered for...

Теперь буду знать, что оно означает. Спасибо.

[Vita]

Автор оригинала: Нора
Идея Бёрнса-Деппа - фу. И кому только пришло в голову. Совсем не тот типаж, не тот темперамент.

Аналогичного мнения. Не вяжется у меня Депп с Бёрнсом, совсем. Впрочем, ладно, это ж были поиски, потом-то они поняли, кто на что годится. Меня поразил другой факт: оказывается, это такой давний проект... И назывался он тогда иначе... А дело всё никак с мёртвой точки не сдвинется.

[Vita]

Автор оригинала: Эйрил Фаранг
Интересно. В Sunset Boulevard тоже есть это выражение:

With one smile I'm the girl next door
Or the love that you are hungered for...

Теперь буду знать, что оно означает. Спасибо.

Да не за что, собственно. Сама впервые его увидела. Думаю, если односложно его на русский переводить, то можно запросто сказать "пустышка", ну или что-то в том же ключе. Ну чтоб не подбирать ряд слов для конкретизации.

[Эйрил Фаранг]

Автор оригинала: Vita
Да не за что, собственно. Сама впервые его увидела. Думаю, если односложно его на русский переводить, то можно запросто сказать "пустышка", ну или что-то в том же ключе. Ну чтоб не подбирать ряд слов для конкретизации.

"Пустышка" - слишком жестоко ИМХО, скорее "синица в руках". У меня это выражение в сочетании с приведенным Вами переводом ассоциируется с Сюзанной из фильма Рене Клера "Ночные красавицы", чью любовь герой Жерара Филипа так долго не замечал, но в конце концов таки заметил
Сорри за оффтопик.

[Little Viper]

Vita , а я раньше думала, что это вроде как "своя в доску" девчонка. Вот так и проходят заблуждения.....

[Crisy]

А дело всё никак с мёртвой точки не сдвинется.

Ну,вроде сдвинулось-таки,раз сьемки планируются на июль У них там с финансированием проблема главная была