Джерард Батлер

[@2005]

Автор оригинала: TinySparrow
А Вы не могли бы описать, как внешне выглядит это издание и как по внешнему виду отличить его от того подарочного, которое не содержит No One Would Listen?

Вот он

[Vita]

Автор оригинала: ЛаЛуна
...ввиду праздников мой дурной провайдер не работал, поэтому даже запанджабить никого не удалось... Поэтому моя почта заработает завтра к ночи или послезавтра... Поэтому ругать никого за задержку переводов я не бу... )) Надеюсь, то, что уже отправлено, не пропадет.

Лу, имей в виду - моих переводов три штуки за выходные. Два в одном письме и одно в другом. Если не дошли - скину ещё разок, не проблема.

Пока что не поняла: "буржуйское" подарочное заказывается через Пурпурный Легион? Тогда с зонами проблем нет, ибо они продают лицензированные продукты, но уже для нашего региона. Ура в таком случае!

Ура-то оно ура, но всё ж таки ыыыыых...:"(( Это мне просмотр нашего, родного, душу с утра разбередил...

Девчата, у меня к вам вот такое предложение (просьба?). В нашем полку прибыло. Девушка с ником, который меня умилил и подарил заряд вдохновения - Butlerfly.

Оооо, вот это ник, со знанием дела человек к выбору имени подошёл. Добро пожаловать Butlerfly!!! Буквально от сердца отрываю, но из-за катастрофической занятости в этот искромсанный остаток недели я точно не смогу сама заняться переводами, так что вот: парочка ревюшек об "Игре".

=======

The Game of Their Lives

[The Game of Their Lives Reviews]Posted by: gbnetadmin
Article Date: April 20, 2005 | Publication: USSoccerPlayers | Author: Andrew Monfried]
DALLAS, TX (April 20, 2005) - 55 years in the making, American soccer fans finally get a glimpse of the preparation and personalities behind the 1950 U.S. World Cup team in the new movie, “The Game of Their Lives.”

Hotly anticipated by the American soccer community, this movie offers a spectacular view of the 1-0 upset in Belo Horizonte, throughtfully and accurately recreated by director David Anspaugh whose other sport credit, Hoosiers, is a film and sporting classic.

This movie may be supremely satisfying for the soccerphile, but there are woeful holes in the plot, glaring historical errors and too much formulaic character development to make it consistently interesting for the average movie-goer.

As many biopics are wont to do, we open with a flashback from the present day with Patrick Stewart (X-Men, Star Trek) playing an aged Dent McSkimming, the only American journalist to cover the 1950 World Cup. His awkward chemistry with real-life soccer commentator Sean Wheelock, playing a press relations type, causes a serious disconnect for any moviegoer with any hope of organic storyline. His asynchronous narration of the story also contrasts with a solid peformance of a younger McSkimming by the normally insidious character actor Terry Kinney (Oz, Sleepers).

Still, we are taken back to St. Louis of the 1950’s. The producers do a gorgeous job of recreating the Hill or “La Montana,” an ethnic enclave in the city known for their denizens’ soccer prowess. There, we meet the central figures in the film, goalkeeper Frank Borghi (Gerard Butler), halfback Gino Pariani (Louis Mandylor), Charlie “Gloves” Columbo (Costas Mandylor) and Frank “Pee Wee” Wallace (Jay Rodan) who squeeze in their mundane professions around the game they love.

Presented with a chance to represent their country in the World Cup, they all face life-changing decisions on whether to participate. As in all hero-building, each of the St. Louis natives is given a tragic flaw they must overcome to make the team. For Borghi, it’s pride, Pariani, the choice between soccer and the woman he loves, Columbo, straddling the line between civility and violence, and Wallace, a fear of flying very loosely explained due to previous injuries in service during World War II. In real life, Wallace was interned in a German prison camp for 15 months after being captured at Anzio.

The St. Louis group which also includes Harry Keough (Zachary Ty Bryan) is forced to compete against a group of eastern-based soccer players led by Walter Bahr (Wes Bentley) for the right to play for their country. Deciding their fate is National Team manager Bill Jeffrey, ridiculously overplayed and marginalized simultaneously by the talented John Rhys-Davies (Lord of the Rings, Shogun).

This is unfortunately where the story of the movie and history seriously disconnect. For all the cultural and racial division this movie fails to play up between the groups, historians will note that Bahr, Borghi, Colombo, Keough, and John “Clarkie” Souza (former Tampa Bay Mutiny player Nelson Vargas) had actually known each other for months before this so called introduction thanks to a North American qualifying tournament held in Mexico in 1949, 10 months before the 1950 World Cup.

Allowing that, the dynamic of the storyline involves the St. Louis faction led by Borghi feuding with Bahr’s easterners. Bentley (American Beauty) portrays Bahr as the perfect leader combining talent with a tactical knowledge of the game, a part of the movie that is very accurate. It’s the relationship that develops between Borghi and Bahr’s character that eventually cements the team.

As always, a character is needed to provide comedic and social contrast to the struggles, and that’s where we find young Haitian dishwasher Joe Gaetjens (Jimmy-Jean Louis). Louis (Hollywood Homicide), a Haitian himself, creates a character who comes across as a boerderline mystic dedicated to voodoo and elaborate pre-game rituals that offend the Catholic sensibilities of Pariani, another storyline that fizzles. In reality, the Columbia University-educated Gaetjens was, from all indications, a highly intelligent person who would become a successful businessman later in life.

To help elaborate the storyline, the producers also try to create a villain in English superstar Stanley Mortensen (Bush frontman and Gwen Stefani beau Gavin Rossdale) to heighten the heroic nature of the American team. Rossdale is actually a passable footballer, but his inclusion as a central character (including dominating a pre-World Cup friendly match against the U.S. that never actually happened) is a stab in the dark at creating drama.

While the movie ignores the three pre-World Cup games the U.S. plays and loses badly to Scotland, Northern Ireland and Italy, it does play up the night escapades of the team in Brazil, something Bahr has corrected in recent press accounts. Most of the team did not drink despite rumors to the contrary that they were out partying the night before the match.

The movie naturally builds its drama to the match against England, actually the second game the U.S. played in the tournament (having lost to Spain 3-1 in Cortiba four days earlier). This is the pinnacle of the film’s cinematography, thanks to another Hall of Famer himself, Eric Wynalda, a technical advisor to the movie.

Few people outside of BBC archivists have seen the actual film from this game, much less in living color. The oft-seen clip from the FIFA film of this match is not the actual goal. Even though this is seen through Hollywood’s eyes, it’s a more than satisfying recreation that will leave a true soccer fan with goose bumps.

The Belo Horizonte stadium was recreated for the movie as well as the U.S. and England uniforms down to the stitch. The game action is truly thrilling and some of the best sports recreation in recent memory. Live and slow motion editing allow for a smooth blending of pulse-pounding action and drama. The only goal of the game is also faithfully produced by real-life soccer hero John Harkes (playing Ed McIlvenny) whose throw-in to Bentley is booted on goal where Louis stretches much as we are told Gaetjens did to head it past England goalkeeper Bert Willilams.

Scoring a goal 39 minutes in is hardly the most dramatic moment of a game, but England’s assault on the American goal in the second half is given the full treatment. Butler does a more than convincing job as a goalkeeper, but the producers were wise to use a stunt man (Jesse Lippert) with actual goalkeeping experience for the more difficult scenes.

The movie ends on the historical high we all have read about, and the end of the movie is as fitting tribute as possible to the surviving heroes of the tournament. The film makes no mention of the unfortunate end that Gaetjens would meet at the hands of the Haitian secret police in 1964 or really any indication of what happened next.

Unfortunately, this movie may pale financially and critically against another soccer movie coming out at the same time, Will Ferrell’s Kicking and Screaming. In the end though, the film is a fitting tribute to American soccer history even if the producers had to invent some of their own to advance the story.

Andrew Monfried is senior writer for USSoccerPlayers.

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The Game of Their Lives (IFC Films, PG)

[The Game of Their Lives Reviews]Posted by: gbnetadmin
Article Date: April 24, 2005 | Publication: Playback St. Louis | Author: Joe Hodes]
The Game of Their Lives is the story of the United States team in the 1950 World Cup that shocked the world by defeating top-seeded England 1-0. The film is the third collaboration between writer Angelo Pizzo and director David Anspaugh—indeed, their third sports-themed collaboration, following Hoosiers and Rudy.

The story is one of contrasts: The working class St. Louisans (drawn from soccer-mad Italian-Americans on the Hill) opposed to their East Coast ivy league teammates; the film’s modern-day prologue at the Major League Soccer All-Star Game at RFK Stadium against the sport’s humble beginnings in city parks and on public school fields; the rough American amateurs versus the cocksure, polished English team.

The film aptly captures the absurd position in which these men found themselves. How does one justify putting aside adult concerns of work and family obligations to play a child’s game? Today, the idea of flying across the world to play before an international audience is the chance of a lifetime; for these men, it meant lost wages, postponed marriages, and derision from friends and neighbors. Even their coaches were more concerned with the perception of the U.S. soccer program than with their performance on the field. At halftime of a drubbing by a touring select team, the coach’s only words of advice were a stern reminder to be on time for the team banquet the following day so as not to embarrass their guests.

In one of the film’s most effective scenes, the team finally receives its uniforms at an impromptu ceremony at a U.S. airfield in Brazil. The players are called forward not by their position with the team, but by their Second World War ranks and service records. Just a few years removed from earning medals and commendations on the battlefield, these simple, working-class family men were again serving their country in uniform.

The performances are universally solid, with Gerard Butler (The Phantom of the Opera) leading the way as St. Louisan Frank Borghi, the team’s goalie and quiet leader. Standing out also is Louis Mandylor as Gino Pariani, the film’s everyman, who has to cope with setting aside his family obligations to play, and who has some trouble with his diverse teammates and their beliefs. Despite possessing just one intense facial expression, Wes Bentley (American Beauty) is well cast as team leader Walter Bahr, a “professional” soccer player from Philadelphia. The oddest casting choice was that of Patrick Stewart as American sports reporter Dent McSkinning, whose reminiscences serve as the film’s narration. An English Shakespearean actor, Stewart’s American accent is not convincing.

Of course, many will turn out to see what they consider to be the real star of the film: The city of St. Louis. The production spent several weeks shooting in St. Louis, employing 2,000 local extras. Featured locations across the city include the streets and sidewalks of the Hill, Soldan High School, Marquette Park, Casa Loma Ballroom, and the Missouri Athletic Club. A close observer may even catch a glimpse of our late Century Building, immortalized on film as St. Louis’s best stand-in for a New York City streetscape.

Although no match for the director-writer team’s earlier triumph with Hoosiers, viewers seeking St. Louis scenes or a compelling sports story will not be disappointed in The Game of Their Lives.

========

Butlerfly, удачи

Автор оригинала: TinySparrow
...Vita, Alise - я почти уверена, что в ближайшем будущем приобрести это вожделенное 2-х дисковое издание будет проще.

Воробышек, спасибо тебе за попытку подбодрить, но проблема у меня лично не в том, что он не появится или я его не найду (если бы я захотела, то уж точно нашла бы...) - не могу я по объективным причинам покупать по два подарочных дорогущих... Ну, думаю, понятно... Но за моральную поддержку всё равно мерсибище

[Vita]

@2005, загляните в ЛС

[TinySparrow]

@2005, спасибо!
Vita, да не за что... Я вот и одного подарочного пока не могу себе позволить. Но буду присматриваться, вдруг неожиданно получу наследство какое-нибудь :-)
Butlerfly, ник - просто супер. Добро пожаловать, только где же Вы? Мы уже и статейки приготовили :-)

[Journalist]

Привет, девчата!
Ой, как же приятно после недельной нервотрепки, серо-зеленого цвета лица от каждодневных переживаний и, наконец, 4,5 часов, проведенных сегодня в тряском автобусе, зайти на сайт! Жевать финики, запивать их приторную сладость холодной водой и читать все, что здесь выложено! Всем огромное спасибо за переводы! Девочки, вы просто стахановки! Ударными темпами работаете.

Proza, прими мое восхищение! Сколько творческих людей, это ж праздник какой-то! Спасибо!

[TinySparrow]

Journalist, welcome back!!!

[Маруся]

Девочки, я тоже спешу поделиться своей радостью - вчера купила это двух дисковое издание. Стоит оно в пурпурном легионе - 977 рублей. Если будете заказывать, внимательно уточняйте у продавцов цену, т.к. мне вчера отложили не то издание, продавец перепутал и отложил двух дисковое издание музыки на СD Э(стоит 940 руб).
ЛаЛуна, я постараюсь вырезать клип NOWL, я тогда скину тебе его как в прошлый раз.
Кстати качество на этих дисках просто замечательное!
:D

[Targhis]

Всем привет! Зашла на минутку.
Только сейчас дошла до теста - естественно, я Призрак. Призраков развелось - страшное дело...

Маруся, поздравляю с приобретением. Как чудесно было бы, если бы тебе удалось вырезать видеоряд NOWL, а то, конечно, покупать, в-общем-то, из-за нее, уже второе подарочное издание... как-то накладно получается. Хотя, подозреваю, что клип того стоит.

На всякий случай, кто-нибудь не подскажет, какой адрес сайта "Пурпурного легиона"?

[TinySparrow]

Targhis, http://www.plegion.ru/
Соблазн велик? ;-)

[Нора]

А где там наша птичка?

[Нора]

Дело в том, что там много вариантов.

[TinySparrow]

Дааа... сложно! Это, похоже, единственный сайт, где нет даже фото обложек!
Давайте рассуждать логически. Это может быть Phantom of the Opera (2004) / (STD Dub Sub Ac3) или Phantom of the Opera (2004) / (WS Dub Sub Ac3 Dol) - цена одна и та же, 944 р, вот бы ещё расшифровать таинственные подписи!
Как МНЕ лично кажется, это может быть Phantom of the Opera (2004) (2PC) / (WS Dub Spec), п.ч. стОит 1007 р и вот это spec... А вообще, у них же вроде как можно запросить дополнительную информацию о конкретном "продукте" вот здесь

[Journalist]

Воробышек, это точно то самое! Phantom of the Opera (2004) (2PC) / (WS Dub Spec)

Носитель: DVD
Тип: DVD-видео
Артикул: WHV70299DVD
Штрихкод: 01256970299
Поставщик: USA
Производитель: США
Год выпуска: 2005
Лейбл: Warner Home Video
Стиль/жанр: Movie | Musicals & Cast Recordings
В продаже с: 03.05.2005

Список трэков

Side #1 -- Widescreen
1. Public Auction [3:42]
2. Overture [3:44]
3. New Owners and Patron (Hannibal) [4:58]
4. Think of Me (I): Opera Ghost [4:26]
5. Think of Me (II) [4:56]
6. Angel of Music [4:11]
7. Little Lotte [2:34]
8. The Mirror [2:21]
9. The Phantom of the Opera [3:33]
10. The Music of the Night [6:37]
11. Magical Lasso [2:38]
12. I Remember/Stranger Than You Dreamt It [3:46]
13. Notes [7:28]
14. Prima Donna [3:34]
15. Poor Fool, He Makes Me Laugh [3:01]
16. Death From Above [4:09]
17. Why Have You Brought Me Here?/Raoul, I've Been There [2:54]
18. All Is Ask of You [5:29]
19. All I Ask of You Reprise [2:26]
20. Masquerade [5:44]
21. Why So Silent? [3:36]
22. Madame Giry's Tale [4:14]
23. Journey to the Cemetery [3:30]
24. Wishing You Were Somehow Here Again [4:08]
25. Wandering Child [1:37]
26. Crossing Swords [2:06]
27. We Have All Been Blind [4:04]
28. Don Juan [2:48]
29. The Point of No Return [5:34]
30. Chandelier Chaos [2:53]
31. Down Once More/Track Down This Murderer [2:56]
32. The Point of No Return Reprise [5:22]
33. A Kiss and a Ring [3:49]
34. Music Over [2:31]
35. Their Beloved [1:42]
36. End Credits (Learn to Be Lovely) [7:30]


Side #2 -- Special Features
Behind the Mask: The Story of "The Phantom of the Opera"
The Making of "The Phantom of the Opera"
Play All
Origins and Casting of "The Phantom of the Opera "
Designing "The Phantom of the Opera "
Supporting Cast and Recording the Album of "The Phantom of the Opera "
Web Info
Additional Scene: "No One Would Listen"
For Additional Special Features, Insert This DVD Into Your PC's DVD-ROM Drive

Аннотация

Theatrical trailer
Languages: English & Fran?ais
Subtitles: English, Fran?ais & Espa?ol
Explore the Phantom's world in dazzling depth: Behind the Mask - The Story of The Phantom of the Opera
The Making of The Phantom of the Opera in 3 spellbinding acts: Preproduction, The Director, Production
No One Would Listen: additional scene
DVD-ROM PC weblink to the Phantom's online world

[TinySparrow]

*раскуривая трубку* Элементарно, Journalist! - сказала TinySparrow хриплым мужским голосом :-)

[Journalist]

Воробышек-Холмс, а что именно элементарно? :D
(Журналист-Ватсон (или Уотсон)).

Будем заказывать?
Эх, Джерри Батлер, в какие траты ты вводишь отдельно взятых личностей.