Джерард Батлер - Страница 64

Alise · 22-03-2005, 13:00

Journalist, одна моя знакомая уже пробовала (оставить Батлера на рабочем столе) - так она работать не смогла :-) ....
...пришлось убрать... :-)

Journalist · 22-03-2005, 14:27

Цитата:

Journalist, одна моя знакомая уже пробовала (оставить Батлера на рабочем столе) - так она работать не смогла :-) .... ...пришлось убрать... :-)

Не... Мне "переедание" не грозит. На рабочем столе и раньше Батлер красовался.

Бывало, пишешь-пишешь очередной текст про каких-нибудь придурковатых чиновников или о замерзающих населенных пунктах, а потом глянешь на Джерри, так и на душе становится светлее. :D И работа спорится. К присутствию актера на компе даже мой супруг привык. Понимает, что у каждого из нас свои тараканы в голове.

Ясная · 22-03-2005, 15:30

Привет всем! Давно я не выходила сюда.
Журналист, спасибо за фото.
Вита, обои супер. Жаль поставить не могу: папа убьет.
Я бы Батлера в экранизации "Генерала Его Величенства" по Дюморье увидеть хотела.

Journalist · 22-03-2005, 16:07

Ясная, если мне не изменяет память, то главный герой этого романа был огненно-рыжий. Прямо таки пламенеющий. Нет, рыжий Батлер - это не для слабонервных.

TinySparrow · 22-03-2005, 16:13

Vita, обоина очень весенняя и приятная, спасибо!
Ясная, может быть, Вам стОит попробовать показать папе "Дорогого Фрэнки"? Прецеденты были ;-)) Возможно, папа проникнется уважением к Джерри и не будет против его присутствия на рабочем столе...
А вот у меня на рабочем столе сейчас...

Нора · 22-03-2005, 16:14

Цитата:

Автор оригинала: TinySparrow
*TinySparrow* открывает свой волшебный чемоданчик и озадаченно смотрит на остатки большого, казалось бы, запаса интервью и статей о Джерри* Упс... скоро придётся туго... но пока - вот вам про Беовульфа!
[/b]

Спасибище!

Ну когда чемоданчик опустеет, мы же можем их долго и со вкусом обсуждать. :-))) А он тем временем новых надает. :-)))

Вот на форуме Экслера прозвучала свежая мысль. Джерри, значит, упражнялся в пении арий Призрака всю "Лару Крофт". Ага, теперь мы знаем, ЗА ЧТО убили Терри. ;-)))

Нора · 22-03-2005, 16:18

Цитата:

Автор оригинала: Alise
Journalist, одна моя знакомая уже пробовала (оставить Батлера на рабочем столе) - так она работать не смогла :-) ....
...пришлось убрать... :-)

А у меня от его фоток настроение поднимается. ;-)))

Нора · 22-03-2005, 16:20

Потому что у него потрясающе положительная энергетика. :-)))

Нора · 22-03-2005, 16:22

Цитата:

Автор оригинала: Alise

...эх... *вздыхая*

Эээ, я просто не знаю, как сказать по-русски, что он сделал со своими костюмами и при чем тут вообще были шорты. Так что я не буду. :-))) Во избежание.

Нора · 22-03-2005, 16:24

Цитата:

Автор оригинала: Little Viper
Хотелось добавить по поводу Ларки Крофт. Мне кажется, что по сравнению с ней и табуретка душевнее. Уж извините...

Очень образно сказано. :-))) И точно!

Нора · 22-03-2005, 16:26

Цитата:

Автор оригинала: Journalist

Нет там никаких намеков. Терри (по замыслу создателей - истинный негодяй) работал только сам на себя. У него были контакты с этой странной мафиозной китайской группировкой ("Чинь ло", кажется). В последний раз он "нагрел" главного мафиози, прихватив с собой повозку со старинными и жутко дорогими вазами. После этого нехорошего поступка китайцы настоятельно попросили Терри больше в Поднебесную не возвращаться.

Что касается самого главного злодея, то Шеридан знал о нем и о его несметных деньгах. Не исключено, что в один из моментов (когда не стал стрелять) он рассматривал его как потенциального покупателя ларца. Но потом передумал.

Ох, придется пересматривать. Откуда-то же я это взяла. (разводит руками) :-)

Нора · 22-03-2005, 16:30

Цитата:

Автор оригинала: Journalist
Мама Македонского почему-то подозрительно походила на Лару Крофт.

Гм, а может быть Ларкины помощники перемудрили с машиной времени? ;-)

Эту идею стоит предложить криэйторам игры. :-))))))))

TinySparrow · 22-03-2005, 16:56

Цитата:

Эээ, я просто не знаю, как сказать по-русски, что он сделал со своими костюмами и при чем тут вообще были шорты. Так что я не буду. :-))) Во избежание.

Нора, это Вы о чём? Где тут про шорты? Похоже, я как обычно что-то пропустила...
А я "Александра" даже не смотрела - мне папа (ох, у нас тут Папин День, похоже :-)) сказал, что скучное кино, он еле до конца досмотрел - он, поклонник "Трои" и "Артура"! Вот я и не рискнула. Джоли, опять же... Когда я вижу, как она собирается кого-нибудь поцеловать, я ужасно переживаю за этого человека. Хотя им (тем, кого целуют), скорее всего, нравится :D

TinySparrow · 22-03-2005, 17:09

Кажется, этого ещё не было... Сообщите, если было, я его удалю

Я пополнила свой чемоданище, старые интервью не брала, так что... приготовьтесь к чтению! ;-)))

Gerard Butler Interview
Interviewed by Stella Papamichael
After treading the boards in countless plays, Gerard Butler took roles in dubious movies like Reign Of Fire, Lara Croft: The Cradle Of Life and Richard Donner's Timeline. Recently though, he scored a critical hit with upcoming Scottish drama Dear Frankie although box office success still eludes him. This time he tries something completely different, playing a masked madman in Joel Schumacher's adaptation of Andrew Lloyd Webber's stage musical The Phantom Of The Opera.

You haven't had much experience in musicals so it seems strange that you should be cast in this...

When Joel [Schumacher] called my agent and asked if I could sing, even he wasn't sure about it. He knew that I could sing but not if I could handle something like this. I was dubious myself as to why they were considering me for The Phantom until I read the script and then I could completely understand why he came to me and why I would want to play it. I read it as I was listening to the music and to me it was a major experience because I felt I had to tell this guy's story. Without sounding pretentious, I felt his soul - all his passion and his hopes and frustrations and, in the end, his tragedy. It was like it was happening to me and I judge whether or not to do a part based on how easily I slip into it while reading the script.

With your lack of singing experience, did you have some trepidation about taking this on?

Yes and no. I have a level of fear going into every project and that's what keeps me going. If I'm being honest it was a much higher level of fear with this than most other things because it was a musical. But I've done a whole bunch of movies where I've come in as the underdog but I have the tools and experience to deal with. Basically you've juts got to use the pressure to make yourself work harder.

Did you have to do a lot of vocal training to prepare?

Yeah, I started singing for The Phantom in January and we started filming in October and I sang all the way through to the next June. In fact I was singing for about two months before I even knew I had the role because they pretty much said: "This role's yours but we just can't say it yet but you've got to train as if it's yours." That's a weird position to be in because I didn't know if they were then going to turn around and say that somebody else had the role but still I sang every day with my own musical teacher. When I went to Scotland to do another movie I would sing with a coach up there and then when I went to New York I sang with a coach over there - I mean I've now sung with coaches in LA, New York, London, Glasgow, St Louis and Rio de Janeiro! I felt like retiring after The Phantom.

Did acting behind a mask also present a challenge for you?

Yeah, but it's something you get used to. Again you use it like a tool to help you become the character. There's a reason he has the mask and you make his reason your reason. Also you have to understand the advantages of that mask insomuch as it's something to hide behind and it's also a very powerful thing to behold. He understands that because he wants to present the most intimidating and sexy exterior he can. At first it was a bit strange and daunting to have to wear a mask but afterwards I came to enjoy it. In warm conditions though it started to slip off my face. Other times they used this double-sided sticky tape and I literally couldn't get it off my face. I would feel like I was ripping my face off and I had a lot of cuts and bruises because of it - huge red marks. People might think it was method acting.

Did you find singing the dialogue rather unnatural?

This movie was such a steep learning curve for me because I had never done that before - singing while trying to give a cinematic performance. The temptation is to open your mouth and belt it out and do something theatrical which would just be ghastly because every time you open your mouth it's 30ft wide on a big screen. Therefore I had to learn devices and ways of keeping it subtle and truthful. Sometimes that would mean that I would barely be singing or I would be much more concentrated on the feeling of what he was going through. I was always focused on that actually because that is the power of cinema - the eyes of The Phantom could say so much more.

You're now gearing up to play the poet Robert Burns in a biopic. Is that another daunting prospect for you?

In a way but I feel so lucky to have that opportunity because it's such a great story and we have the best script by Alan Sharp, who wrote Rob Roy. I cajoled Julia Stiles into doing it but she told me it was the best script she'd read in years so she's on board and we also have Brian Cox. We cover Burns' life from the ploughman days to the Edinburgh society days and his take-off as a poet. It's beautiful, it's passionate, it's sexy, it's hilarious and it's really quite sad as well.

And you've got The Game Of Their Lives coming up where you play a member of the American 'soccer' team who beat the English football team. Being Scottish you must relish the chance to beat the English at football!

What do you think? Actually I just find that very funny. The Scots will do anything to beat the English or just to see them lose, but I've never bought into that really. I was supporting England in the World Cup, so for me it was very funny to pretend to be an Italian-American but still stuff the English 1-0. It was amazing. We went down to Rio de Janeiro in a soccer stadium there with thousands of extras and played this game against the English - who were, funnily enough, mostly Brazilians - but it's great. I saw a cut about nine months ago that I wasn't very impressed with but I saw it again a couple of days ago and it's been tightened up and a few things added. I think we have a movie on our hands now.

Нора · 22-03-2005, 17:12

Цитата:

Автор оригинала: TinySparrow
Нора, это Вы о чём? Где тут про шорты? Похоже, я как обычно что-то пропустила...

А, так я и думала, что шорты тут совершенно ни при чем. :-))) Это я про начало интервью с Мортимер.
Не, не буду я переводить.

22-03-2005, 13:00	#946
Alise На форуме с: Feb 2005 Место жительства: Страна Чудес Сообщений: 1,028	Journalist, одна моя знакомая уже пробовала (оставить Батлера на рабочем столе) - так она работать не смогла :-) .... ...пришлось убрать... :-) __________________ Надо идти, надо лезть, надо скорей во всем разобраться! (c)

22-03-2005, 15:30	#948
Ясная На форуме с: Feb 2005 Место жительства: Королевство алых башен Сообщений: 193	Привет всем! Давно я не выходила сюда. Журналист, спасибо за фото. Вита, обои супер. Жаль поставить не могу: папа убьет. Я бы Батлера в экранизации "Генерала Его Величенства" по Дюморье увидеть хотела. __________________ Пусть звезды ведут странников, у которых слишком много любви, чтобы стать взрослыми!

22-03-2005, 16:20	#953
Нора Рамплтиза толстощекая На форуме с: Oct 2002 Сообщений: 2,360	Потому что у него потрясающе положительная энергетика. :-))) __________________ «Быть вредным так весело» (приписывается Алану Рикману)

22-03-2005, 17:09	#959
TinySparrow На форуме с: Feb 2005 Место жительства: Москва Сообщений: 1,512	New Stuff From The Trunk Кажется, этого ещё не было... Сообщите, если было, я его удалю Я пополнила свой чемоданище, старые интервью не брала, так что... приготовьтесь к чтению! ;-))) Gerard Butler Interview Interviewed by Stella Papamichael After treading the boards in countless plays, Gerard Butler took roles in dubious movies like Reign Of Fire, Lara Croft: The Cradle Of Life and Richard Donner's Timeline. Recently though, he scored a critical hit with upcoming Scottish drama Dear Frankie although box office success still eludes him. This time he tries something completely different, playing a masked madman in Joel Schumacher's adaptation of Andrew Lloyd Webber's stage musical The Phantom Of The Opera. You haven't had much experience in musicals so it seems strange that you should be cast in this... When Joel [Schumacher] called my agent and asked if I could sing, even he wasn't sure about it. He knew that I could sing but not if I could handle something like this. I was dubious myself as to why they were considering me for The Phantom until I read the script and then I could completely understand why he came to me and why I would want to play it. I read it as I was listening to the music and to me it was a major experience because I felt I had to tell this guy's story. Without sounding pretentious, I felt his soul - all his passion and his hopes and frustrations and, in the end, his tragedy. It was like it was happening to me and I judge whether or not to do a part based on how easily I slip into it while reading the script. With your lack of singing experience, did you have some trepidation about taking this on? Yes and no. I have a level of fear going into every project and that's what keeps me going. If I'm being honest it was a much higher level of fear with this than most other things because it was a musical. But I've done a whole bunch of movies where I've come in as the underdog but I have the tools and experience to deal with. Basically you've juts got to use the pressure to make yourself work harder. Did you have to do a lot of vocal training to prepare? Yeah, I started singing for The Phantom in January and we started filming in October and I sang all the way through to the next June. In fact I was singing for about two months before I even knew I had the role because they pretty much said: "This role's yours but we just can't say it yet but you've got to train as if it's yours." That's a weird position to be in because I didn't know if they were then going to turn around and say that somebody else had the role but still I sang every day with my own musical teacher. When I went to Scotland to do another movie I would sing with a coach up there and then when I went to New York I sang with a coach over there - I mean I've now sung with coaches in LA, New York, London, Glasgow, St Louis and Rio de Janeiro! I felt like retiring after The Phantom. Did acting behind a mask also present a challenge for you? Yeah, but it's something you get used to. Again you use it like a tool to help you become the character. There's a reason he has the mask and you make his reason your reason. Also you have to understand the advantages of that mask insomuch as it's something to hide behind and it's also a very powerful thing to behold. He understands that because he wants to present the most intimidating and sexy exterior he can. At first it was a bit strange and daunting to have to wear a mask but afterwards I came to enjoy it. In warm conditions though it started to slip off my face. Other times they used this double-sided sticky tape and I literally couldn't get it off my face. I would feel like I was ripping my face off and I had a lot of cuts and bruises because of it - huge red marks. People might think it was method acting. Did you find singing the dialogue rather unnatural? This movie was such a steep learning curve for me because I had never done that before - singing while trying to give a cinematic performance. The temptation is to open your mouth and belt it out and do something theatrical which would just be ghastly because every time you open your mouth it's 30ft wide on a big screen. Therefore I had to learn devices and ways of keeping it subtle and truthful. Sometimes that would mean that I would barely be singing or I would be much more concentrated on the feeling of what he was going through. I was always focused on that actually because that is the power of cinema - the eyes of The Phantom could say so much more. You're now gearing up to play the poet Robert Burns in a biopic. Is that another daunting prospect for you? In a way but I feel so lucky to have that opportunity because it's such a great story and we have the best script by Alan Sharp, who wrote Rob Roy. I cajoled Julia Stiles into doing it but she told me it was the best script she'd read in years so she's on board and we also have Brian Cox. We cover Burns' life from the ploughman days to the Edinburgh society days and his take-off as a poet. It's beautiful, it's passionate, it's sexy, it's hilarious and it's really quite sad as well. And you've got The Game Of Their Lives coming up where you play a member of the American 'soccer' team who beat the English football team. Being Scottish you must relish the chance to beat the English at football! What do you think? Actually I just find that very funny. The Scots will do anything to beat the English or just to see them lose, but I've never bought into that really. I was supporting England in the World Cup, so for me it was very funny to pretend to be an Italian-American but still stuff the English 1-0. It was amazing. We went down to Rio de Janeiro in a soccer stadium there with thousands of extras and played this game against the English - who were, funnily enough, mostly Brazilians - but it's great. I saw a cut about nine months ago that I wasn't very impressed with but I saw it again a couple of days ago and it's been tightened up and a few things added. I think we have a movie on our hands now. __________________ And that was without a single drop of rum! Отредактировано TinySparrow : 22-03-2005 at 17:27.

22-03-2005, 16:07	#949
Journalist Черно-белая жизнь На форуме с: Jan 2005 Место жительства: город у моря Сообщений: 698	Ясная, если мне не изменяет память, то главный герой этого романа был огненно-рыжий. Прямо таки пламенеющий. Нет, рыжий Батлер - это не для слабонервных.

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